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Facebook’s first transparency report shows majority of offending content removed before being reported

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Facebook has released its first-ever transparency report, outlining the amount of content it has identified as breaking Community Standard rules between October 2017 and March 2018. According to the data, Facebook took action against a majority of the offensive content before it was reported by users.

The report is part of its Community Standards initiative first announced in April. Violation criteria has been separated into six categories: graphic violence, nudity and sexual activity, terrorist propaganda from ISIS, al-Qaeda and affiliates, hate speech, spam and fake accounts.

Facebook says it uses a combination of machine learning automation and employees to identify content that violates its Community Standards guidelines. The company has said repeatedly that it plans to have at least 10,000 safety and security professionals on staff by the end of 2018 to work on this initiative.

Facebook’s transparency report breaks down the number of content violations it took action against per each category between Q4 2017 and Q1 2018 and the amount of content identified before users reported it. It also lists the frequency of content violations within the graphic violence and nudity and sexual activity categories, as well as the frequency of fake accounts. Here’s an overview of the data:

How many pieces of content or accounts did Facebook take action against?

  • Graphic violence — Q4 2017: 1.2 million | Q1 2018: 3.4 million
  • Nudity and sexual activity — Q4 2017: 21 million | Q1 2018: 21 million
  • Terrorist propaganda from ISIS, al-Qaeda and affiliates — Q4 2017: 1.1 million | Q1 2018: 1.9 million
  • Hate speech — Q4 2017: 1.6 million | Q1 2018: 2.5 million
  • Spam — Q4 2017: 727 million | Q1 2018: 837 million
  • Fake accounts — Q4 2017: 694 million | Q1 2018: 583 million

Amount identified before users reported content or accounts

  • Graphic violence — Q4 2017: 72% | Q1 2018: 86%
  • Nudity and sexual activity — Q4 2017: 94% | Q1 2018: 96%
  • Terrorist propaganda from ISIS, al-Qaeda and affiliates — Q4 2017: 97% | Q1 2018: 99.5%
  • Hate speech — Q4 2017: 24% | Q1 2018: 38%
  • Spam — Q4 2017: 100% | Q1 2018: 100%
  • Fake accounts — Q4 2017: 98.5% | Q1 2018: 99.1%

Prevalence of content in violation of Facebook’s Community Standards

  • Graphic violence — Q4 2017: 0.16% to 0.19% | Q1 2018: 0.22% to 0.27%
  • Nudity and sexual activity — Q4 2017: 0.06% to 0.08% | Q1 2018: 0.07% to 0.09%
  • Terrorist propaganda from ISIS, al-Qaeda and affiliates — Data unavailable
  • Hate speech — Data unavailable
  • Spam — Data unavailable
  • Fake accounts — Facebook estimates that fake accounts represented approximately 3 to 4 percent of monthly active users (MAU) on Facebook during Q1 2018 and Q4 2017.

In all categories except one — hate speech — Facebook took action against most of the offending content before it was reported by users. For hate speech, there was a noticeable difference in the percentage of content Facebook proactively removed. More than 90 percent of the content was removed without being reported in nearly all categories except hate speech. For both quarters, less than 40 percent (38 percent in Q1 2018 and 24 percent in Q4 2017) of content identified as hate speech had action taken against it before it was reported. This means well over half of the hate speech violations identified on the platform had to be reported by a user versus Facebook identifying them through their own systems.

Facebook does note early in the report that it is still refining its internal methodologies for measuring its efforts and expects the numbers to become more precise over time.

The post Facebook’s first transparency report shows majority of offending content removed before being reported appeared first on Marketing Land.

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YouTube Re:View – Eminem battles Venom

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Show me entity :: 20930

Welcome to YouTube Re:View, a weekly listing of the most talked-about YouTube videos in the UK, brought to you by The Drum. This week Eminem takes on Venom, Post Malone pranks people with undercover record store surprise, Boston Dynamics' SpotMini takes on Bruno MArs, musician Calum Scott share his coming out story and Netflix get set to release it's latest original series, the Chilling Adventures of Sabrina.

A shady symbiote – Eminem 'Venom' official music video

The music video for Eminem's latest track, 'Venom', from the motion picture staring Tom Hardy, follows the arc of a young man who finds a CD copy of the rapper's latest album Kamikaze on a street, only to discover that the disc is attempting to cover his body in black slime in the style of Venom.

(View Count: 184,672*)

Post Malone pranks people with undercover record store surprise

In support of Post Malone's Omaze campaign where you could ride with him in a Bentley and win your own, the rapper went undercover as an aspiring hip-hop artist where he workshops lyrics, talks about Bentleys and surprises fans.

(View Count: 3,635,874*)

SpotMini takes on Bruno Mars

Last week Boston Dynamics' Atlas was doing parkour. This week Spot is showing off it's dance moves, taking on Bruno Mars' Uptown Funk. These dance moves don;t only put some of us to shame, but are fantastic reminder of the rise of improvements in machines.

(View Count: 3,532,482*)

Calum Scott: A coming out story

Calum Scott made it to the finals of Britain's Got Talent in 2015. Three years later he released his debut album, Only Human. In this clip, the artist recounts a painful part of his young adult life, coming to terms with his sexuality and letting the world know about it. Abandoned by friends, in this moving profile, Scott explains how he found the courage to be truthful about himself through music.

(View Count: 567,575*)

Chilling Adventures of Sabrina trailer

Though there has been various versions of the infamous comic book teenage witch, Netflix's Chilling Adventures of Sabrina looks set to be the most horrifying of them all. Most teenagers only need to choose what birthday cake they want for their sweet 16, but half witch, half human Sabrina Spellman must make a choice between the witch world of her family and the human world of her friends.

(View Count: 3,968,266*)

YouTube UK Ads Leaderboard: September’s Top 10

Dior brings us all the joy literally, as their ad for their latest fragrance JOY clinches the top spot – while tech, cars, sport and the National Lottery (if we win that and the Bentley, we’ll be the happiest, right?) are fast in the running. Discover the latest Top 10 ads on the YouTube UK Ads Leaderboard and the brands and agencies who worked their magic to create them.

YouTube UK Ads Leaderboard: September’s Top 10

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(*all view count numbers, correct at time of publication)

Never miss a beat with the week's top videos on YouTube UK. Tune in next Friday for the next line-up.

Can’t wait? Get YouTube Re:View delivered straight to your inbox and visit Think with YouTube to find out why YouTube is more than just viewers.

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Cyprus Tourism Organisation launches month-long Halloumi pop-up in Soho

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From tomorrow (20 October) for one month only, Londoners will be treated to a brand-new halloumi pop-up restaurant serving a ‘bottomless halloumi brunch’ menu. The pop-up has been launched by the Cyprus Tourism Organisation (CTO) as a way of showcasing their national cheese and enticing people to visit the island.

Located in Soho at Las Banderas, the restaurant has been created especially for the event by Francis Puyat and Andrew Zilouf of 100 Hoxton, with the menu featuring an array of halloumi-inspired brunch dishes.

Christos Moustras of the Cyprus Tourism Organisation said: “Halloumi is Cyprus’ most popular cheese and we’re so excited to be able to bring a key element of Cypriot culture to our latest pop-up venture with Las Banderas. We are delighted to return and make halloumi the key focus of brunch, a popular meal time in the UK.”

Andrew Zilouf said: “As lovers of innovative food, we were thrilled to partner with the CTO for a second year running for this project and have worked really hard to create a menu that we hope is both inspiring and delicious, the perfect start to the day!”

Diners will be able to book for brunch at Las Banderas seven days a week from 11am-4pm, before it disappears on Sunday 18 November 2018.

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Are you a kinky copywriter?

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I am a man of unfailing habit. Drop me from the sky into even the most uninhabitable locations and within 45 minutes I will be gobbling cheap charcuterie while I re-watch Con Air.

In life, aside from making me awfully boring and clogging my pores with the distinct whiff of translucent meats, my habitual nature doesn't cause any great problems.

But translate the same appetite for routine into my copywriting and I'm about as much use as a dildo made from scorpions.

Habit, with cosy malevolence, throttles originality. Preference of any sort, if allowed to calcify around your process, eviscerates your imagination.

The trouble is, none of us is naturally immune to habit. The human brain can be a timid piece of apparatus, dating back from the time when experimenting with the unfamiliar was liable to leave you headless and quivering at the end of a pterodactyl's beak (please don't point out the appalling anthropological inaccuracies).

As such, the modern copywriter has inherited a fondness for routine that has been 8 billion years in the making (again, I know this is wrong, be quiet).

But while our endless capacity for habit may still keep us out of danger, it also blankets our creativity in a gentility it does not need.

Copywriting is not a profession for the risk-shy – even if the wider industry still has an uneven relationship with creative recklessness.

Habit and curiosity are doomed lovers. And, however messy the divorce may be, a copywriter should always seek custody of their more impulsive urges. And your Shabba Ranks CDs.

The problem is often that we are blind to our own habits. By their very nature, the auto-pilot elements of our creative method go unseen, humming along in the background like a computer's fan or an Ed Sheeran song.

Which is why every copywriter should continually unpick their own creative tapestry. Make sure they don't drift from brief to brief with the same style, the same desk, the same construct, the same joke, the same words – bucketing out slop and chum that's all been chopped from the same old sources.

Instead, our process should be kinky. Not in the sense that we handcuff ourselves to a gimp and write with a pencil in our teeth. Kinky in the sense that we are constantly looking for the next creative thrill, experimenting with the uncomfortable in the hope that discomfort will give us something new. Kinky in the sense that, if we've tried it once, we won't try it again for a bit, so rich is the promise of untouched spaces and unspanked alphabetical bottoms. Kinky in the sense that writing must feel exciting in order to sound exciting.

And if we fail to add this kinkiness to our writing, where are we? Sat in the tundra, watching a man in a vest beat people up on a plane, wondering, forlornly, where all the ham has gone.

Follow Andrew on Twitter for more perfectly accurate natural history

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